"In her multimedia sculptures and installations, Deva Graf considers notions of hybridity wholeness and the nature of sculptural space. She combines figurative and abstract elements in a manner that alludes to and confounds the history of modernist sculpture, particularly its conventions of display, and creates charged psychological encounters. . . "
Chrissie Iles, and Philippe Vergne. Whitney Biennial 2006: Day For Night. New York: Whitney Museum of Art, 2006. 240-41. Print.
". . . Graf reveals sculptures totemic power."
". . . Deva Graf recasts the Edenic story of feminine weakness and malevolent fructification . . "
Casadio, Mariuccia. “Beige.” Vogue Italia Apr. 2006.
". . .Graf evokes both the simple shapes and natural materials of de Maria and Smithson sculptures, as well as those objects used in Zen Practice . . ."
Spiselman, Anne. “10 Things to Do This Weekend.”
". . .the unseen are very public . . That is the irony that interests artist Deva Graf."
Wiesen, Barbara. Books and Shelves: Marc Arctander, Stephanie Brooks, Gary Cannone, Bill Davenport, Anthony Elms, Nicholas Frank, Michele Grabner and Brad Killam, Rashid Johnson, Deva Graf and Robyn O'Neil, Michael Piazza, Joe Scanlan, Buzz Spector. Glen Ellyn: College of DuPage, 2004. Print
“If You Point to Heaven, It Begins To Disappear.” Make Literary Magazine, Spring 2010: 52-53. Print